In post-colonial, “utopian” Cuba, the 1898 explosion of the U.S.S. Maine still resonates. Exploring a century of interventionism and myth-making, the extraordinary people of Havana interrogate time, imperialism and cinema itself.
In post-colonial, “utopian” Cuba, the 1898 explosion of the U.S.S. Maine still resonates. Exploring a century of interventionism and myth-making, the extraordinary people of Havana interrogate time, imperialism and cinema itself.
