The Other Two

After three years of COVID delays, Cary’s movie Night Nurse finally premieres -- but will he be able to watch his loved ones’ reactions in real time? Meanwhile, Brooke feels like the only person who hasn’t left the industry.

Chase's first legal photoshoot lands Brooke on a highly unusual assignment, Cary's new publicist doesn't yield much better results than his own self-promotion and Pat feels the effects of her empire.

Cary learns the "benefits" of self-tapes and the drawbacks of not being "a name." After leaving her job, Brooke faces the cruel reality of a life as a regular person. Pat goes to extreme lengths to spend time with her family.

As Cary attempts to leave his mark on the set of Emily Overruled, Brooke discovers that her new persona isn't easy to pull off, and Pat's disguise works a little too well.

As Cary tries to take control of his relationship by making in-roads with Lucas’s representation, Brooke is pulled back into her manager role when Chase falls for a "normal" girl.

After an extended period of wallowing post break-up, Brooke is inspired by Pat to find someone more "on her level." Meanwhile, Cary is cast to voice a major studio's first openly queer character ... but will the buildup be greater than the pay off?

Brooke, Shuli and Streeter strategize "new beginnings" for Chase and Pam. Pat's lowkey birthday request proves anything but. Cary obsesses over the release of Curtis's new series while trying to salvage his own.

After making Chase a bad boy backfires spectacularly, Brooke's course-correct reminds her that doing good is really hard. Meanwhile, Cary attempts to "win" his reunion and Pat heads to Ohio to reconnect with her former self.

As Brooke goes to extreme lengths to prove Lance isn't as selfless as everyone thinks, Cary obsesses over finding an award-winning role.

While Pat and Streeter strategize how best to broach difficult conversations with her kids, Cary reaches a breaking point in his quest to win an award and Brooke takes a risk.