My Ballerina

Back in Vicenza to look for her daughter Alice, Emma has found the love of Enrico and five wonderful dancers whom she now loves as if they were her own daughters. But just when she is about to turn over a new leaf, the past comes back to haunt her: one night, attracted by the notes of a song, Emma bumps into an unknown girl dancing in front of a small crowd.

Emma has finally found the daughter stolen from her at birth, but she doesn't know if she will be able to stay close to her without telling her the truth and breaking her heart. On the day of the auditions of male dancers, the tension between Diana and Vicky already inflames the company.

Shocked by what she has discovered, Diana flees the Academy and takes refuge in the camper of two drug dealers. They drug her to rob her, but the girl is saved just in time by Emma and Enrico. She is hospitalized, while Emma and Petra argue bitterly and accuse each other. Then Emma reveals to Davide that Diana is their stolen daughter Alice, and within moments everyone learns.

Emma receives a message in which Vicky writes that he has decided to leave the company to move to Barcelona, but very little convinces her. She reveals it to Jacopo, who seems troubled. Davide doesn't believe Petra's version, who claims to have adopted Diana without knowing her origin, and sets out to look for links between the woman and the baby trafficking.

The investigations led by Luisa are not yet closed but, Emma forces herself up and resumes rehearsals with the dancers. In Diana's mind the old memory of the water is superimposed on the recent images of her quarrel with Vicky on the bridge. Jacopo is worried: he got a new tattoo to cover the star-shaped one that Vicky had the same… what is he hiding?

Diana confesss to Vicky's murder. Petra has her released thanks to her lawyer, but she accuses Emma of not being able to protect her, betraying her trust. Emma also has a tough fight with Enrico: he accuses her of not being lucid with Diana, she accuses him of being attracted to Petra because she reminds him of her dead wife.

Emma has found her daughter, but the more days pass, the less she seems to know her: Diana is like her chessboard, locked in. Her tension with Enrico has not diminished, and she gives him back the engagement ring he had given her. The topic of the discussion is Petra, of course: Emma asks him not to see her anymore, if he still wants to marry her.

Roberto blackmails Petra: in exchange for a large sum of money, he will not reveal the truth about her and her past to her sister. Meanwhile, the distances between Emma and Diana are starting to narrow, especially when the two find themselves dancing together, with Emma inviting the girl to let go of her emotions.

While everyone is waiting for news about Roberto who is struggling between life and death, Emma quarrels furiously with Enrico, discovering that he is investigating Petra's past without telling her anything. Meanwhile, at the Academy, the dancers continue to rehearse without Emma.

Emma is convinced that her brother is fooling everyone. Far from Vicenza, Diana discovers that Petra lied to her: she doesn't have to undergo any visits, it was just an excuse to leave. Emma and the dancers have twenty-four hours to perfect the choreography and convince the recruiter from New York.

Petra's confession finally seems to close the circle on the baby trafficking and the tragic events of the present, so Jacopo is released. Emma discovers that her brother pretended to have amnesia because someone threatened him. Shocked by Petra's statements, Diana takes refuge in solitude and silence: only Valentina manages to stay close to her.

Emma and Enrico arrive in the place where Diana has taken refuge: the house where she spent a period of her childhood, which arouses in her so many painful memories of the death of her dearest friend, for which she feels responsible. Emma reassures her of his love for her, but the two are under threat from someone hiding in the woods, who has a gun aimed at them.