La Otra Mirada

After spending months in jail, Teresa is released from prison, but she is not the same: exhausted, with no strength to face her sister, Roberta. Teresa finds purpose with Ines, a young street hustler she’s intent on seeing at the Academy.

Teresa moves to a little house in Seville and gives Carmen, the new administrator, her room. Carmen’s first attempt at trimming the budget does not go over well with the students.

The Academy prepares for a visit from the actor Benito Padilla, Manuela’s cousin, and the director Jorge Merlot. Meanwhile, Roberta tries to get closer to Teresa and Carmen continues to pass information about the Academy to the Peraltas.

Since Teresa has returned, neither students nor teachers understand her. Roberta tries to go to Teresa for help, but she is distracted by Ines. Meanwhile, the girls propose that the Academy’s street name be changed to that of a woman.

Carnival is approaching and everyone begins to prepare enthusiastically for the event at the Academy. Meanwhile, Teresa still doesn’t know how to approach Roberta and Flavia is torn up over her pregnancy.

The archery competition is approaching and the competitors from Madrid arrive at the academy. To everyone’s surprise, Angela is accompanying them. Flavia visits the doctor. Teresa and Roberta try to adapt to their new relationship.

Upset with Vicente, Luisa receives an unexpected visit: her son, Arcadio, and Catalina, his fiancee--a lady Luisa’s age. Arcadio wants to reconcile with his mother and make up for lost time, but the science teacher doesn't know what to think or do about it.

The Academy closes its doors and Manuela feels terribly powerless. The Peraltas claim the school as theirs and have the documents to confirm it. Teresa, however, will not let Manuela sink with the school.